soundlines in quartz composer from Ian Grant on Vimeo.

Great when sound activated - good for graphing!

A harmongraph generator made with quartz composer. Using transparent png as a texture, the composition modulates the x, y position using sin / cos waves while the image scales. Expensive and a little slow, but the process of watching the images being made is nice. Some of the final images produced by changing x, y position, parameters to the waves, switching presets, alpha and colors (using a MIDI controller) were usable as stills and textural elements.

Download Link: harmonogaphs_001.zip

The zip contains a version controllable by the keyboard and another with controls in the parameters. It is designed to be controlled with a midi desk. You will need to dig into the patch to explore the principles of the harmonograph generators. You may wish to add a clear patch. To see things better. I used the included QCToMovie application to render movies with alpha of the animated textures to be taken into After Effects.

I’ve written a chapter in the following book: “Experiments in Digital Puppetry. Video Hybrids in Quartz Composer”. It involves the material on this site and elsewhere that describes real-time video processing and the use of Quartz Composer in performance. I feel quite proud to be in such interesting and diverse company. The chapters on digital puppetry are really welcome. The subject deserves a book all of it’s own!

I have a chapter on Digital Puppetry and real-time performance systems (including Quartz Composer) in the following book:

Transdisciplinary Digital Art. Sound, Vision and the New Screen
Digital Art Weeks and Interactive Futures 2006/2007, Zurich, Switzerland and Victoria, BC, Canada. Selected Papers
978-3-540-79486-8_1
Editors: Randy Adams, Steve Gibson and Stefan Müller Arisona

I’ll post more details and some excerpts asap.

If you are in a position to, please order the book for your college or local library!

I’ll post some further details of the work here soon. But for now:

I completed ‘Texturisr’ in 2005 as a nod to the then booming obsession with ‘Web 2.0′ and took advantage of the Flickr API. Flickr was then not owned by Yahoo. I was also interested in the public display of personal images. I have added a few other aspects to the project for this exhibition included a small element of natural language processing - my take on the ’sense detecting’ of the exhibition title.
Sense Detectives is Watermans’ latest collaboration with Thames Valley University’s Digital Arts department to explore sensor and search technologies through an innovative and participative working practice. Sense Detectives combines four different exhibits that will be on show at Watermans in late 2006 and early 2007.

Charlie Gere, author, historian of digital art and academic, has written the catalogue introduction for the Sense Detectives Exhibition: http://mercury.tvu.ac.uk/~richardc/kwomodo/sensedetectives3.php

Paul B Davis, of the BEIGE ensemble/collective, says of ‘Texturisr’:

“While Web 2.0 is a bit of a technical buzzword, as it’s underlying delivery technologies are no different than whatever you’d want to call what existed before, to me it represents a conceptual shift in thinking about network-based information. As pieces like texturisr demonstrate, the semantic web really takes shape when we stop thinking about the network as a broadcast medium and instead think of it as a medium for user-guided information interchange. Collaboration, communication, remixability…these are the operative words which describe our Web 2.0 interactions. These interactions are a sort of meta-level complement to current information infrastructure, and they have the potential to be equally comfortable at home, in public space or a gallery.”

Sense Detectives is Watermans’ latest collaboration with Thames Valley University’s Digital Arts department to explore sensor and search technologies through an innovative and participative working practice. Sense Detectives combines four different exhibits that will be on show at Watermans in late 2006 and early 2007.

A second version of my ‘tiger reflections patch’. Now with a simpler interface and Noise Industries ‘FXFactory’ ready!

The patch is simplifed and slightly more reliable than the previous version. The generated image can now rotate without producing artifacts. The gradient setup is now automated. Less control but simpler. I have done this to create a test composition that works in ‘FXFactory’ - which is very simple to use. It really unlocks another realm for Quartz Composer developers.

Link: http://www.noiseindustries.com/fxfactory/

A second version of my ‘tiger reflections patch’. Now with a simpler interface and Noise Industries ‘FXFactory’ ready!
The patch is simplifed and slightly more reliable than the previous version. The generated image can now rotate without producing artifacts. The gradient setup is now automated. Less control but simpler.

The patch does a simple thing of producing an ‘aquafied’ circle. I created this patch when I was exploring masks and how best to create a circle using the current Quartz Composer toolset. The patch contains some useful techniques working between pixels and Quartz Composer units. It is also an exercise in ‘pixel based positioning’. I am sure the visual effect can be improved upon, but I quite like the principle of instantly produced graphics using quartz composer. I followed several online tutorials for producing aqua styled graphics - then simplified the process. I reckon quite complex aqua graphics could be produced in this way, like widget graphical elements etc.

Some Issues

The accuracy of positioning of bottom gradient may need improving. Hence the ‘tweaks’
Better control over how the bottom gradient is generated. The rules seem to break down at smaller sizes. Fun though.

Download Link: iris_quartz_composer.zip
Some Notes

The patch is quite simple to use. For a recent digital puppetry project, I connected the iris radius to a the output of a midi foot pedal so I could create scene transitions in real time. More of that elsewhere.

The patch demonstrates a number of useful ideas: pixel to unit conversion, creating a circle (using the hole distort patch), masks and the ’source atop-in-out-wave-it-all-about’ patches.

Some Notes on Custom Patches, Hidden Patches and Core Image Units

My original patched originally used one of the hidden patches ‘CICheapBlur’ that you can enable by following instructions here.

See http://fdiv.net/2006/09/19/61-hidden-patches/

For the download here, I have replaced the ‘CICheapBlur’ patch with a gaussian blur - so there shouldn’t be errors if you do not have the ‘hidden’ patches activated. This effects performance slightly. With custom core image filters appearing in the QC patches pane, I am sure it is quite possible to distribute compositions that will not run on other people’s machines without the custom CI filter. There seem to be more useful custom patches appearing on the scene with a number of excellent ones from Boinx. I hope a useful installation mechanism can be constructed to distribute the pre-requiste elements for custom patches.

Link: http://www.boinx.com/chronicles/category/quartz-compositions/

I do not intend to post the full patch as it is very dependent on other media, the wii controller and the Behringer midi controller, but you can view the root of the composition in the image below. I have split some of the more useful elements up and will be sharing them in other posts. I attempted (and will develop further) the idea of having a separate ‘buses’ for scenes, effects and transitions - a little like the way (I think) quartonian (and other vj-ing tools) work.

Image (1.8mb large): Screenshot of Root of Performance Composition

The project used some of the following ideas:

• instant chroma-keying and garbage matting of a performers blue face and the compositing of a hybrid character with live mouth and controllable pre-recorded eyes into multiple scenes
• midi control
• nintendo wii remote control of a virtual character (this meant I had to write a custom cocoa application to host the open source darwiinremote.framework ‘)
• Quasi 3D (or 2-and-a-half-D) effects derived from 2D frames - I’ll post some movies of this.
• Depth of focus and pulling focus effects
• Dynamic real-time titles

Some Images and Commentary

A fuller walkthrough of the final images with a commentary can be found here:

Screenshots and Scene-by-Scene Descriptions Link: http://www.daisyrust.com/quartzcomposer/moocher/

Image (above): Prototype of the Garbage Matte and Chroma-Keying Patch

Download Link: garbage_matte_bluescreen_demo_002.qtz.zip

This demo patch makes uses of Sam Kass’s excellent core image kernels available here:

Link: http://www.samkass.com/blog/

Images (above): Behringer BCF2000 MIDI controller controls scene sequencing and properties of various screen objects and parameters in real time

Image: Real-time Mouth / Recorded (controllable) Eyes Composited into an Image in Real-Time

Full credit and copyright acknowledgment to the Fleischer Brothers Estate for frame grabs and stylistic inspiration.